Constant attention to the world of women, to Indian social situations and policies that are only now slowly changing; violence, rape, or threats made against women, only nowadays at times reported with all the risks and dangers this involves, are words the Bengali director Aparna Sen, born in 1945, has always used with the special attention she has always paid to social issues and especially the feminine universe.
Ever since Partition and Independence, Indian political life has privileged the concepts of diversity, pluralism, tolerance and inter-religious harmony. The way to realise these values, according to the ideology dominant thus far, was to have a state that expressed equal ‘love’ for all communities, that is, a state taking it upon itself to safeguard the peculiarities, rights and interests of groups defined along the axes of religion or caste, or as a majority and multiple minorities. As Pratap Bhanu Mehta has explained recently, in the vision of its founders and the architecture of the Constitution, India was conceived of as a ‘federation of communities’ with a paternalistic, secular state presiding over and managing a mosaic of identities. But, the outcome of India’s 2014 general elections, which puts the Hindu nationalist Bharatiya Janata Party (BJP) in power under the leadership of Narendra Modi – sworn in as the new prime minister on Monday 26 May – calls for a widespread debate on the meaning, purpose and definition of secularism in this country.
“Swaraj literally means ‘selfrule’: it joins together the idea of the self and the idea of sovereignty, rule, or mastery. Swaraj was used most in the late nineteenth century and throughout the first half of the twentieth century to indicate the major political project that Indians were engaged in, through a number of anticolonial, nationalist movements and other kinds of political responses to the fact of British rule and British empire. Most histories of Indian nationalism or of India during that period tell the story of how India became politically independent and how it succeeded in ending British rule. But I couldn’t find any good narrative about the search for the ‘Self’, which is the “Swa” in the first half of Swaraj.” That is why Ananya Vajpeyi, Kluge Fellow at the The John W. Kluge Center of The Library of Congress in Washington D.C., has selected five key figures of India’s modern thought, politics and culture – Mahatma Gandhi, Rabindranath Tagore, Jawaharlal Nehru, B.R. Ambedkar and Abanindranath Tagore – to understand how they tried to find values and norms that could be set up as the scaffolding for a future India. We interviewed her during the Venice-Delhi Seminars 2012, held at the Giorgio Cini Foundation in Venice.
Ananya Vajpeyi is the author of Righteous Republic. The Political Foundations of Modern India, Harvard University Press, 2012
Interview by Nicola Missaglia
Videomaker: Ruben Lagattolla
More about Venice-Delhi Seminars here
Discover the September 2013 Issue of Seminar magazine, with contributions from the Venice-Delhi Seminars 2012
How the Jamaat-e-Islami developed and transformed itself within the boundaries of a modern pluralistic democracy, the Indian democracy, is the subject Irfan Ahmed has devoted his research to. To write this book, Irfan Ahmad conducted extensive fieldwork in several small Muslim towns near Delhi, and he describes the gradual process of change and openness, following in particular the development within Jamaat’s universities and their student organisations SIMI and SIO.
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